She is the author of three poetry pamphlets and four novels, which have been critically acclaimed in the Times Literary Supplement, the Paris Review, Art Review, Elle, and the Huffington Post among others. Her short texts have been included in group exhibitions and performances at the Royal Academy of Arts, the Whitechapel Gallery, and Camden Arts Centre in London, and published in Worms Magazine, MAP Magazine, and by Ackerman Daly.
Collaborative projects include the Coelacanth Press, with whom she co-edited four issues of their bi-annual journal; the radio series Documents;The Brexit Chronicles podcast; and the artists and writers' organ Jour Mal Jour Nal. In 2016 she co-curated Inland Far, an exhibition inspired by Herbert Read's only novel and its relationship to Jung at the Herbert Read Gallery in Canterbury, and in 2018 Isadora, a combination of text, sound, and film pieces based around the concept of a European salon at MoHA, Austin.
Residencies include Unlisted, Austin, the Freud Museum, London, and Callie's, Berlin.
Susan has a BA in Fine Art from Camberwell, University of the Arts London, and an MA in Fine Art from the Royal College of Art. Previously, she worked as an associate lecturer at University for the Creative Arts, Farnham; as a visiting lecturer at Chelsea and Central Saint Martins School of Art; and as an artist-educator with London's Institute of Contemporary Arts.