Susan Finlay is a writer and artist. Both practices share similar preoccupations but result in separate outcomes which are intended to be viewed as such.
As a writer, Susan is the author of three novels, Objektophilia (Little Island Press, Winter 2019), Kaos Magik (Serpent's Tail, Spring 2019) and Arriviste (Five Lines in the Sand Press, 2007); and a poetry pamphlet, Sex & The City 2 (If a Leaf Falls Press, 2017). She was one of the founding editors of The Coelacanth Press, where she worked from 2008 - 2010. From 2012 - 2014 she ran the experimental publishing project Jour Mal Jour Nal. Currently, she is the Ackerman Daly Diarist, a role intended to facilitate the production of The Brexit Chronicles, a series of prose poems written and published over the course of a year.
As an artist, Susan's solo exhibitions include, Susan Flöge: Cruise (various venues, Vienna, 2017),Prater Violet (James' Platz, 2017), Black & White for Parties (The British School in Athens, 2016), Moscow Diary (The Galleria, 2015), Vase and they are the only naked things (Rachmaninoff's, 2013 and 2011). Group exhibitions and events include Inland Far (The Herbert Read Gallery, 2016),Elsewhere (Lychee One, 2016), Orchidée Vanille (SYSON,2015) and Temporary Residency in the Unconscious (V22, 2012). She is the recipient of a University for the Creative Arts Research Award (2016) and The Troy Town Art Pottery Residency (2014).